The little setting at the beginning of the video is the most important thing for me to build.
Whenever I create a production, I always decide on a world view before I start building.
I generally have a general atmosphere in mind, and then I build up the characters and even think about what kind of person they are.
Once the world has been decided to a certain extent, I decide what the interior will look like first.
We use a slightly different approach, whereby the exterior is decided based on that.
So the rooms are allocated first, and when it comes to the exterior, we have already decided what to put where.
However, if I forget to allocate the rooms, it all goes wrong, so I usually make a memo or something, but this time I completely forgot.
When it came time to start work on the interior, I realised that I was in a bit of a hurry, but I managed to get it into shape.
As for the 'designer', when I decided on the theme of magic and machines, I wondered what would happen if I combined FF6-esque magic and the old medieval culture that contradicts it. I tried to interpret it in my own way.
However, I did not put machines and the medieval period at the forefront, but focused on the fact that there is life there.
The house was ugly and illegal, partly because it was built close to Halloween, but more because I had a strong image of a spooky house that no one would go near.
I also think that the pavilion should have been created in that form, with some awareness of Rinty's work, which was the catalyst for my involvement in architecture.
I dared to omit detailed explanations and decided that I wanted to emphasise the feelings of the people who saw it, so I explained a brief story at the beginning and left the rest of the story to be as I felt it.
It is natural that there are good and bad, I decided to just keep it as I presented it.
I will probably continue in this style in the future.
